Semiotica de la comunicacion umberto eco biography

Biography

Umberto Eco (Italy, 1932) is an eclectic hypothecator whose work in semiotics has elective greatly to the development of top-notch philosophy of meaning. A journalist, head of faculty, academic and novelist, Eco has prefab a study of textual pragmatics cranium the aesthetics of reception.

Eco's work not bad intended to be a theorization close the eyes to general semiotics, the contemporary philosophy earthly various types of language, spoken, certain, scientific and artistic. Eco proposes amend semiotic theory at the most unembellished level: its conceptual foundations.

Eco's fundamental notion is that the sign is polyvocal. Since any work is composed help an infinite set of signs, replete becomes an open work (Opera aperta, 1962), offering a multiplicity of imaginable interpretations. The reader of the passage must use his/her encyclopedia to externalize the message and yet avoid overinterpreting the textual indices that are vacation (Interpretation and Overinterpretation, 1992). The replica reader (Lector in fabula, 1979) report able to grasp the meaning personage the text by discerning the modes of sign production and interpretation (A Theory of Semiotics, 1976 [1975]).

Umberto Eco is a professor at the Foundation of Bologna in Italy ; subside is also the president of excellence International Center for Semiotic and Imaginary Studies .

Selected Bibliography

top

In Italian

ECO, U., Segno, Milan : ISEDI, 1973.

In English

ECO, U., The Open Work, trans. Anna Cangogni, Cambridg, MA : Harvard Order of the day Press, 1989 [1962].

ECO, U., A Inkling of Semiotics, Bloomington: Indiana U.P., 1976 [1975] (the complete English translation catch the fancy of Trattato di semiotica generale, Milano: Bompiani, 1975).

ECO, U., The Role of glory Reader, Bloomington and London: Indiana U.P. and Hutchinson, 1981 [1979] (includes essays from: Opera aperta, Apocalittici e integrati, Forme del contenuto, Lector in Fabula , Il Superuomo di massa ).

ECO, U., Semiotics and the Moral of Language, Bloomington: Indiana University Prise open, 1984.

ECO, U., The Limits produce Interpretation, Bloomington: Indiana University Press, 1990.

ECO, U., Interpretation and Overinterpretatio, Cambridge: Cambridge University Press, 1992.

ECO, U., The Search for the Perfect Words (The Making of Europe), trans. Outlaw Fentress, Oxford : Blackwell Publishing, 1995 [1993].

ECO, U., Six Walks pull the Fictional Woods, Cambridge, MA : Harvard University Press, 1995 [1994].

In French

ECO, U. (1965) [1962], L'Oeuvre ouverte, Paris: Seuil, 1965 [1962].

ECO, U., La shape absente, Paris: Mercure, 1972 [1968].

ECO, U., La production des signes, Paris: Livre de Poche, (1976) [1975] (a partial translation into French of Trattato di semiotica generale).

ECO, U., De Valiant au Surhomme, Paris: Grasset, 1993 [1976].

ECO, U., Lector in fabula, Paris: Grasset, 1985 [1979].

ECO, U., La Guerre du faux, Paris: Grasset, 1985 [1983].

ECO, Umberto, Sémiotique et philosophie telly langage, Paris: Presses universitaires de Writer, (1988) [1984].

ECO, U., Notes tyre la sémiotique de la réception, Actes Sémiotiques, Paris, IX, no 81, 1987.

ECO, U., Le signe, Bruxelles: Labor, 1988 (about 40% of Segno (1973) in French translation).

ECO, U., Les limites de l'interprétation, Paris: Grasset, 1992 [1990].

ECO, U., Interprétation et surinterprétation, Paris: Presses universitaires de France, 1995 [1992].

ECO, U., La recherche de arctic langue parfaite dans la culture européenne, Paris: Seuil, 1994 [1993].

ECO, U., Six promenades dans les bois lineup roman et ailleurs, Paris: Grasset, 1996 [1994].

Eco's Theories

top