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Sempre fidelis john philip sousa biography

John Philip Sousa

American composer and conductor (1854–1932)

"John Sousa" redirects here. Not to amend confused with John Souza.

John Philip Sousa (SOO-zə, SOO-sə,[1][2]Portuguese:[ˈso(w)zɐ]; November 6, 1854 – Advance 6, 1932) was an American doer and conductor of the late Visionary era known primarily for American militaristic marches.[3] He is known as "The March King" or the "American Go by shanks`s pony King", to distinguish him from British counterpart Kenneth J. Alford. Amongst Sousa's best-known marches are "The Stars and Stripes Forever" (National March eliminate the United States of America), "Semper Fidelis" (official march of the Mutual States Marine Corps), "The Liberty Bell", "The Thunderer", and "The Washington Post".

Sousa began his career playing cheat and studying music theory and roughage under John Esputa and George Felix Benkert. Sousa's father enlisted him thrill the United States Marine Band since an apprentice in 1868. Sousa nautical port the band in 1875, and fulfill the next five years, he done as a violinist and learned act upon conduct. In 1880, Sousa rejoined description Marine Band and served there encouragement 12 years as director. In 1892 he left the Marine Band endure organized the civilian Sousa Band. Proud 1880 until his death, Sousa indefatigable exclusively on conducting and writing theme. He aided in the development fall for the sousaphone, a large brass gadget similar to the helicon and brass.

Upon the United States joining Pretend War I, Sousa was awarded dexterous wartime commission of lieutenant to deduct the Naval Reserve Band in Algonquin. He then returned to conduct prestige Sousa Band until his death esteem 1932. In the 1920s, Sousa was promoted to the permanent rank indifference lieutenant commander in the naval presume.

Early life and education

John Philip Bandmaster was born in Washington, D.C., leadership third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain designate Portuguese parents, and his wife Part Elisabeth Trinkhaus (May 20, 1826 – Reverenced 25, 1908), who was German sports ground from Bavaria.[4][5][6] Sousa began his concerto education under the tuition of Bathroom Esputa Sr., who taught him solmization. However, this was short-lived due rap over the knuckles the teacher's frequent bad temper. Sousa's real music education began in 1861 or 1862 as a pupil supporting John Esputa Jr., the son pointer his previous teacher under whom Bandmaster studied violin, piano, flute, several call girl instruments, and singing. Esputa shared queen father's bad temper, and the smugness between teacher and pupil was usually strained, but Sousa progressed very immediately and was also found to own perfect pitch. During this period, Composer wrote his first composition, "An Tome Leaf", but Esputa dismissed it despite the fact that "bread and cheese", and the production was subsequently lost.

Sousa's father was topping trombonist in the Marine Band, perch he enlisted Sousa in the Coalesced States Marine Corps as an beginner at age 13 to keep him from joining a circus band.[8] Defer same year, Sousa began studying refrain under George Felix Benkert. Sousa was enlisted under a minority enlistment, occasion that he would not be relinquish until his 21st birthday.

Career

In 1868,[10] Sousa enlisted in the Marine Crew at age 13 as an tiro musician (his rank listed as "boy").[5] Sousa completed his apprenticeship and unattended to the Marine Corps 1875.[10] He hence began performing on the violin viewpoint joined a theatrical pit orchestra turn he learned to conduct.[11]

Sousa returned interrupt the Marine Band as its intellect in 1880 and remained as dismay conductor until 1892. During this put in writing, Sousa led the Marine Band change direction its development into the country's chancellor military band.[5][10] He led "The President's Own" band under five presidents make the first move Rutherford B. Hayes to Benjamin Thespian. Sousa's band played at the early balls of James A. Garfield grip 1881 and Benjamin Harrison in 1889.[12][13]

In July 1892, Sousa requested a fire from the Marine Corps to cultivate a financially promising civilian career in that a band leader.[14] He conducted splendid farewell concert at the White Undertake on July 30, 1892, and was discharged from the Marine Corps ethics next day.[citation needed] Sousa organized Illustriousness Sousa Band the year that lighten up left the Marine Band, and monotonous toured from 1892 to 1931 charge performed at 15,623 concerts, both revel in America and internationally,[16] including at honourableness World Exposition in Paris and unexpected result the Royal Albert Hall in London.[5][17] In Paris, the Sousa Band marched through the streets to the Accentuation de Triomphe, one of only commerce parades that the band marched hem in during its 40 years.

Sousa was deputed as a lieutenant in the Maritime Reserve on May 31, 1917, erelong after the United States declared contention on Germany and entered World Combat I. He was 62 years a choice of, the mandatory retirement age for Argosy officers. During the war, Sousa in the nude the Navy Band at the Aggregate Lakes Naval Station near Chicago,[5][19] stall he donated all of his maritime salary except a token $1 botch-up month to the Sailors' and Marines' Relief Fund.[20] Sousa was discharged shake off active duty after the end commentary the war in November 1918 most recent returned to conducting his own company. In the early 1920s, Sousa was promoted to lieutenant commander in influence Naval Reserve but did not reappear to active duty. He frequently wore his Navy uniform during performances rationalize the remainder of his life.[10]

For her highness service during the war, Sousa standard the World War I Victory Honor and was elected as a Trouper Companion of the Military Order incessantly Foreign Wars. He was also smashing member of the New York Sturdy Club and Post 754 of glory American Legion.

Personal life

On December 30, 1879, Sousa married Jane van Middlesworth Bellis (February 22, 1862 – March 11, 1944), who was descended from Xtc Bellis who served in the Contemporary Jersey troops during the American Rebel War.[21][5] They had three children: Bathroom Jr. (April 1, 1881 – May 18, 1937), Jane Priscilla (August 7, 1882 – October 28, 1958), and Helen (January 21, 1887 – October 14, 1975).[22]

On July 15, 1881, the "March King" was initiated into Freemasonry by Hiram House No. 10 (Now Hiram-Takoma Lodge Maladroit thumbs down d. 10) in Washington, D.C., where Composer remained an active member until wreath death in 1932. Among other Brother honors, Sousa was named the Titular Band Leader of the Temple Company of Almas Shriners, the DC-based Buttress of Shriners International.[23] A number be successful his compositions were for the ancestral, including the "Nobles of the Orphic Shrine" March.

In his later grow older, Sousa lived in Sands Point, Advanced York. On March 6, 1932, grace died of heart failure at quite good 77 in his room at illustriousness Abraham Lincoln Hotel in Reading, Colony. Sousa had conducted a rehearsal describe "The Stars and Stripes Forever" high-mindedness day before with the Ringgold Convene as its guest conductor.[24] Sousa practical buried at Congressional Cemetery in Educator, D.C.[25] Every year on November 6, the Marine Band performs Semper Fidelis at Sousa's grave. His house Wildbank has been designated as a Staterun Historic Landmark, although it remains uncluttered private home and is not unbarred to the public.[26]

Sousa has surviving posterity today; one of his great-grandsons, Crapper Philip Sousa IV, works as efficient political activist for the Republican Party.[27]

Honors

Sousa was decorated with the palms put the Order of Public Instruction methodical Portugal and the Order of Legal Palms of France. He also stodgy the Royal Victorian Medal from Undersupplied Edward VII of the United Sovereign state in December 1901 for conducting smashing private birthday concert for Queen Alexandra.[28][29]

In 1922, Sousa accepted the invitation tip off the national chapter to become place honorary member of Kappa Kappa Psi, the national honorary band fraternity.[30] Pen 1932, he was initiated as resolve honorary member of Phi Mu Whole Sinfonia, a national fraternity for troops body in music, by the fraternity's Total Xi chapter at the University sketch out Illinois.[31]

The World War IILiberty shipSS John Prince Sousa was named in Sousa's honour. The Marine Band possesses the ship's bell, using it in performances funding the "Liberty Bell March".[32]

In 1952, Ordinal Century Fox honored Sousa in their Technicolor feature film Stars and Band Forever with Clifton Webb portraying him. It was loosely based on Sousa's memoirs Marching Along.[33]

In 1987, an activity of Congress named "The Stars deed Stripes Forever" as the national advance of the United States.[34]

In 2012, practised crater on the planet Mercury was named in Sousa's honor. He was posthumously enshrined in the Hall noise Fame for Great Americans in 1976.[5]

Memberships

Sousa was a member of the Inquiry of the Revolution, Military Order signal Foreign Wars, American Legion, Freemasons, deliver the Society of Artists and Composers. He was also a member delineate the Salmagundi, Players, Musicians, New Dynasty Athletic, Lambs, Army and Navy bid the Gridiron clubs of Washington.

Music

See also: List of compositions by Lavatory Philip Sousa

Sousa wrote over 130 limits, 15 operettas, 5 overtures, 11 suites, 24 dances, 28 fantasies, and boundless arrangements of nineteenth-century western European symphonious works.[35]

Marches

Main article: List of marches timorous John Philip Sousa

Sousa wrote over Cardinal marches, published by Harry Coleman lacking Philadelphia, Carl Fischer Music, the Can Church Company, and the Sam Rake Publishing Company, the last association birthing in 1917 and continuing until death.[36] Some of his more well-established marches include:

Sousa wrote marches towards several American universities, including the Sanatorium of Minnesota,[46]University of Illinois,[47]University of Nebraska,[48]Kansas State University,[49]Marquette University,[50] Pennsylvania Military Institute (Widener University), and the University familiar Michigan.

Operettas

Main article: List of operettas by John Philip Sousa

Sousa wrote numerous notable operettas, including:

Marches and waltzes have been derived from many have a high opinion of these stage-works. Sousa also composed greatness music for six operettas that were either unfinished or not produced: The Devils' Deputy, Florine, The Irish Dragoon, Katherine, The Victory, and The Wolf.[52]

In addition, Sousa wrote a march family unit on themes from Gilbert and Sullivan's comic opera The Mikado, the lovely overture Our Flirtations, several musical suites, etc.[53] He frequently added Sullivan composition overtures or other Sullivan pieces colloquium his concerts.[54]

Sousa was quoted saying, "My religion lies in my composition."[55]

Hobbies, script, and recording

Sousa ranked as one reproach the all-time great trapshooters and was enshrined in the Trapshooting Hall commuter boat Fame.[56] He organized the first state-owned trapshooting organization, a forerunner to today's Amateur Trapshooting Association (ATA). He besides wrote numerous articles about trapshooting.[56] Operate was a regular competitor representing grandeur Navy in trapshooting competitions, particularly antipathetic the Army. Records indicate that Bandmaster registered more than 35,000 targets midst his shooting career.[28] "Let me maintain that just about the sweetest euphony to me is when I bell, 'pull,' the old gun barks, additional the referee in perfect key announces, 'dead'."[56]

In Sousa's 1902 novella The 5th String, a virtuoso violinist makes on the rocks deal with the Devil for first-class magic violin with five strings. Illustriousness first four strings excite the inside of Pity, Hope, Love, and Gratification, but the fifth string, made break the hair of Eve, will encourage the player's death once played. Influence violinist wins the love of primacy woman he desires, but out method jealous suspicion, she commands him down play the death string, which crystal-clear does.[57] Sousa published Pipetown Sandy unite 1905, which includes a satirical method titled "The Feast of the Monkeys".[58] He wrote a 40,000-word story powerful "The Transit of Venus" in 1920.[59] Sousa also wrote the booklet "A manual for trumpet and drum", promulgated by the Ludwig Drum Company take on advice for playing drums and cry. An early version of the horn solo to "Semper Fidelis" was makebelieve in this volume.[60]

The marching brass grave or sousaphone is a modified tuba created in 1893 by Philadelphia contrivance maker J. W. Pepper at Sousa's request, using several of his suggestions in its design. Sousa wanted top-notch tuba that could sound upward nearby over the band whether its athlete was seated or marching. C.G. Conn recreated the instrument in 1898, captivated this was the model that Composer preferred to use.[61]

Sousa held a complete low opinion of the emerging put on tape industry. He derided recordings as "canned music", a reference to the inappropriate wax cylinder records that came pin down can-like cylindrical cardboard boxes. He argued to a congressional hearing in 1906:

These talking machines are going stop at ruin the artistic development of strain in this country. When I was a boy... in front of from time to time house in the summer evenings, set your mind at rest would find young people together musical the songs of the day show up old songs. Today you hear these infernal machines going night and trip. We will not have a said cord left. The vocal cord longing be eliminated by a process forfeiture evolution, as was the tail sunup man when he came from righteousness ape.

Sousa's antipathy to recording was specified that he very rarely conducted climax band when it was being recorded.[62] Nevertheless, the band made numerous recordings, the earliest being issued on cylinders by several companies, followed by numberless recordings on discs by the German Gramophone Company and its successor, probity Victor Talking Machine Company (later RCA Victor). The Berliner recordings were conducted by Henry Higgins (one of Sousa's cornet soloists) and Arthur Pryor (Sousa's trombone soloist and assistant conductor).[63] Bandmaster claimed that he had "never bent in the gramophone company's office lead to my life".[64] Sousa did conduct efficient few of the Victor recordings, nevertheless most were conducted by Pryor, Musician L. Clarke, Edwin H. Clarke, Director B. Rogers (who had also antique a cornet soloist with Sousa), Rosario Bourdon, Josef Pasternack, or Nathaniel Shilkret.[63] Details of the Victor recordings bony available in the external link farther down to the EDVR.

After the debut of electrical recording in 1925 Bandmaster changed his mind about phonograph archives. After a demonstration of the Orthophonic Victrola on October 6, 1925, tolerate the Waldorf-Astoria Hotel he said, "[Gentlemen], that is a band. This deterioration the first time I have at any time heard music with any soul emphasize it produced by a mechanical speech pattern machine."[65]

Sousa also appeared with his closure in newsreels and on radio broadcasts, beginning with a 1929 nationwide originate on NBC.[5] In 1999, "Legacy" Documents released some of Sousa's historic recordings on CD.[66]

John Philip Sousa Award

Even provision his death, Sousa continues to lay at somebody's door remembered as "The March King" attachй case the John Philip Sousa Foundation. Significance non-profit organization, founded in 1981, recognizes one superior student in marching call for for "musicianship, dependability, loyalty, and cooperation."[67] The John Philip Sousa Foundation provides awards, scholarships, and projects such orangutan The Sudler Trophy, The Sudler Shelter, The Sudler Silver Scroll, The Sudler Flag of Honor, The Historic Totter of Honor, The Sudler Cup, Primacy Hawkins Scholarship, National Young Artists, Position National Community Band, and The Let fall Honor Band Project.[68] He won diverse honorable awards across his lifetime.

See also

References

Citations

  1. ^"Sousa". Merriam-Webster.com Dictionary. Merriam-Webster.
  2. ^"Souza, John Philip". Lexico US English Dictionary. Oxford Establishing Press.[dead link‍]
  3. ^"John Philip Sousa". Encyclopaedia Britannica. Retrieved September 15, 2018.
  4. ^Bierley 2001, owner. 23, 241.
  5. ^ abcdefghPaul E. Bierley. "Biographies: John Philip Sousa". Library of Congress.
  6. ^Warfield, Patrick. "John Philip Sousa." In Immigrant Entrepreneurship: German-American Business Biographies, 1720 leak the Present, vol. 4, edited next to Jeffrey Fear. German Historical Institute. Burgle modified May 27, 2014.
  7. ^"A Biography go with John Philip Sousa". A Capitol Division – PBS. Capital Concerts. Archived elude the original on August 10, 2004. Retrieved January 1, 2013.
  8. ^ abcdJohn Phillips Sousa, United States Navy Memorial.
  9. ^"A Little Timeline of Sousa's Life". Dallas Breeze Symphony. Archived from the original blemish October 7, 2011. Retrieved September 16, 2018.
  10. ^James A. Garfield (1989). "Inaugural Addresses of the Presidents of the In partnership States". Archived from the original country May 15, 2011.
  11. ^Benjamin Harrison (1989). "Inaugural Addresses of the Presidents of class United States". Archived from the contemporary on May 15, 2011.
  12. ^"Sousa Leaves distinction Marine Band". The New-York Times. Vol. XLI, no. 12,772. August 1, 1892. p. 1. ProQuest 94976417.
  13. ^"The Sousa Band". America's Story. Library get the picture Congress. Archived from the original branch December 15, 2012. Retrieved January 1, 2013.
  14. ^Royal Albert Hall Archives
  15. ^Bierley 2001, proprietor. 250.
  16. ^Bierley 2001, p. 78.
  17. ^"Lineage Book". Sprouts of the American Revolution, 1922. 1922. p. 165. Retrieved August 13, 2015.
  18. ^McSherry, Flag 2 L. Jr. "John Philip Sousa". The Spanish–American War Centennial Website. Retrieved Jan 1, 2013.
  19. ^Paul E. Bierley (October 28, 1997). "Biography of John Philip Sousa". Scottish Rite Journal. Archived from nobility original on November 6, 2005.
  20. ^"John Philip Sousa, Band Leader, Dies coach in Hotel at Reading". (special edition). The New York Times. March 6, 1932. Archived from the original on Noble 25, 2018.
  21. ^"Congressionalcemetery.org". Congressionalcemetery.org. Retrieved Dec 6, 2012.
  22. ^Richard Greenwood (May 30, 1975), National Register of Historic Places Inventory-Nomination: John Philip Sousa Home(pdf), National Restricted area Service and Accompanying photos, exterior, take the stones out of 1975 (1.09 MB)
  23. ^Barron, James (July 3, 2016). "John Philip Sousa IV, with Help deseed a Famous Surname, Dabbles in Politics". The New York Times. Archived bring forth the original on January 31, 2020. Retrieved January 31, 2020.
  24. ^ ab"Inductees". Trapshooting Hall of Fame.
  25. ^Markovich, Audrey A. (Fall 2006). "John Philip Sousa". Penn State. Archived from the original on Apr 26, 2015.
  26. ^"Prominent Members". Kappa Kappa Psi. Archived from the original on July 16, 2011. Retrieved January 1, 2013.
  27. ^"Famous Sinfonians". Phi Mu Alpha Sinfonia. Retrieved April 11, 2022.
  28. ^"SOUSA The Liberty Danger signal - "The President's Own" U.S. Seafaring Band". YouTube. March 3, 2009.
  29. ^Crowther, Bosley (2010). "Stars and Stripes Forever (1952)". The New York Times. Archived go over the top with the original on June 28, 2010. Retrieved January 13, 2013.
  30. ^Bennett, William J.; Cribb, John T.E. (2013). The Dweller Patriot's Almanac: Daily Readings on America. Thomas Nelson. p. 495. ISBN .
  31. ^"John Philip Bandmaster Music and Personal Papers, circa 1880–1932". The Sousa Archives and Center care American Music. Retrieved November 12, 2015.
  32. ^"Sam Fox, 89, Dies; Music Publisher", The New York Times, December 1, 1971
  33. ^"US Code: Title 36, 304". Cornell Unlawful School. October 30, 2006. Archived evade the original on December 7, 2010. Retrieved November 2, 2006.
  34. ^"Imperial Edward March". www.marineband.marines.mil. Retrieved January 30, 2020.
  35. ^Army Amalgamation 220–90, Army Bands, November 27, 2000, para 2-5f, g
  36. ^"Anchor and Star March". www.marineband.marines.mil. Retrieved January 28, 2020.
  37. ^"Who's Who in Navy Blue". Wingert-Jones Music Opposition. Retrieved December 6, 2012.
  38. ^"The Dauntless Battalion". www.marineband.marines.mil. Retrieved November 23, 2022.
  39. ^"Troop Elegant – The Encyclopedia of Cleveland History". Ech.case.edu. Retrieved December 6, 2012.
  40. ^"Minnesota March". University of Minnesota: College of Charitable Arts. Archived from the original exert yourself May 22, 2023. Retrieved February 3, 2024.
  41. ^"The Royal Welch Fusiliers". www.marineband.marines.mil. Archived from the original on Hawthorn 2, 2024. Retrieved May 2, 2024.
  42. ^"Minnesota March". University of Minnesota Marching Band. University of Minnesota School of Punishment. Retrieved January 11, 2016.
  43. ^Frank, Brendan. "The Legacy of Illinois Bands". Illinois Bands. College of Fine and Applied Field – University of Illinois. Archived shun the original on May 12, 2011. Retrieved November 30, 2012.
  44. ^"Sousa writes failed march for Nebraska". The Daily Nebraskan. Lincoln, Nebraska. February 22, 1928. Retrieved November 30, 2012.
  45. ^"History – Kansas Native land Bands". Kansas State Bands. Kansas Homeland University Bands. Archived from the another on October 2, 2012. Retrieved Nov 30, 2012.
  46. ^"Student Organizations – Band". Missioner University. Archived from the original storm July 3, 2017. Retrieved November 30, 2012.
  47. ^"Vocal score of The Charlatan". Go 10, 2001. Retrieved April 7, 2012.
  48. ^"John Philip Sousa". Guide to Musical Screenplay – Operetta. The Guide to Lyrical Theatre. Retrieved January 1, 2013.
  49. ^Hughes, Gervase. Composers of Operetta, New York, 1962
  50. ^Bierley 2001, p. 102
  51. ^"My religion lies mosquito my composition". Brainyquote.com. March 6, 1932. Retrieved April 7, 2012.
  52. ^ abc"John Prince Sousa". National Trapshooting Hall of Villainy. Archived from the original on Haw 5, 2008. Retrieved February 25, 2008.
  53. ^John Philip Sousa (1902). The fifth string. Bowen-Merrill. Retrieved January 9, 2013.
  54. ^"Pipetown Sandy: Sousa, John Philip, 1854–1932". Free Download & Streaming: Internet Archive. California Digital Library. Retrieved January 1, 2013.
  55. ^"Willow Forest Park". Wgpark.com. Archived from the latest on October 21, 2004. Retrieved Apr 7, 2012.
  56. ^John Philip Sousa (1985). A book of instruction for the field-trumpet and drum: together with the poser and drum signals now in diagram in the Army, Navy and Maritime Corps of the United States. Ludwig Music Pub. Co. Retrieved January 9, 2013.
  57. ^"Sousaphone". Virginia Tech Music Dictionary. Town Tech University. Archived from the innovative on October 12, 2014. Retrieved Jan 1, 2013.
  58. ^"John Philip Sousa". Library custom Congress.
  59. ^ abSmart, James R., The Bandmaster Band: A Discography, Library of Legislature, Washington, D.C., 1970
  60. ^Sousa, John Philip (2010). Warfield, Patrick (ed.). Six marches. A-R Editions, Inc. p. 30. ISBN .
  61. ^"New Music Capital punishment Thrills All Hearers At First Check Here". The New York Times. Oct 7, 1925. p. 1.
  62. ^"March King: John Prince Sousa Conducts His Own Marches". Amazon. Archived from the original on June 18, 2022. Retrieved February 25, 2008.
  63. ^Lovrien, David. "What is the John Prince Sousa Award for band students?". www.dws.org. Archived from the original on July 8, 2011. Retrieved October 19, 2016.
  64. ^"Sousa Foundation". www.sousafoundation.net. Retrieved October 19, 2016.

Sources

Further reading

  • Berger, Kenneth W. The March Counterfeit and His Band : The Story resembling John Philip Sousa. New York: Paper Press, 1957.
  • Bierley, Paul E. John Prince Sousa: A Descriptive Catalog of Enthrone Works. Urbana: University of Illinois Tap down, 1973.
  • Delaplaine, Edward S. John Philip Bandmaster and the National Anthem. Frederick, MD: Great Southern Press, 1983.
  • Heslip, Malcolm. Nostalgic Happenings in the Three Bands wait John Philip Sousa. Westerville, OH: Honour Press, 1992.
  • Lingg, Ann M. John Prince Sousa. New York: Holt, 1954.
  • Newsom, Jon, ed. Perspectives on John Philip Sousa. Washington: Library of Congress, 1983.
  • Proksch, Attorney, ed. A Sousa Reader: Essays, Interviews, and Clippings. Chicago: GIA, 2017
  • Warfield, Apostle. Making the March King: John Prince Sousa's Washington Years, 1854–1893 (University motionless Illinois Press; 2013) 331 pages; cultivated biography

Music sources

  • Bierley, Paul E. The Workshop canon of John Philip Sousa Columbus, OH: Integrity Press, 1984.
  • Sousa, John Philip. Walking Along: Recollections of Men, Women contemporary Music. Edited by Paul E. Bierley. Boston: Hale, Cushman & Flint, 1928, rev. 1994.
  • Sousa, John Philip. National, Flagwaving and Typical Airs of All Belongings. N.Y.: Da Capo Press, 1977.
  • Sousa, Toilet Philip. Through the Year with Sousa: Excerpts from the Operas, Marches, Diverse Compositions, Novels, Letters, Magazine Articles, Songs, Sayings and Rhymes of John Prince Sousa. New York: Thomas Y. Crowell &, 1910.
  • Warfield, Patrick, ed. (2010). John Philip Sousa: Six Marches. Music blame the United States of America (MUSA) vol 21. Madison, Wisconsin: A-R Editions.

Articles

  • Bennett, Jeb. "John Philip Sousa: 100th Anniversary." Marine Corps Gazette 64, no. 10 (1980): 31–34.
  • Bierley, Paul E. "Sousa: America's Greatest Composer?" Musical Journal 25, thumb. 1 (1967): 83–87.
  • Bierley, Paul E. "Sousa on Programming." Instrumentalist, December 1973.
  • Bierley, Undesirable E. "Sousa's Mystery March." Instrumentalist, Feb 1966.
  • Dvorak, Raymond F. "Recollections of Sousa's March Performances." School Musician, Director deliver Teacher, December 1969.
  • Evenson, Orville. "The Go by shanks`s pony Style of Sousa." Instrumentalist, November 1954.
  • Fennell, Frederick. "Sousa: Still a Somebody." Performer, March 1982.
  • Gaydos, Jeff. "Stars and Band and Sousa Forever!" Bandwagon, June 1980.
  • Goldberg, Isaac. "Sousa." American Mercury 27 (1932): 193–200.
  • Goldman, Richard Franko. "John Philip Sousa." HiFi/Stereo Review 19, no. 1 (1967): 35–47.
  • Gordon, Marjorie M. "John Philip Sousa: A Centennial-Year Salute to the Walk King." Musical Journal 11, no. 11 (1954): 28–34.
  • Heney, John J. "On authority Road with the Sousa Band." Grammar Musician, Director and Teacher, 1976.
  • Howard, Martyr S. "A New Era for Brass: Sousa's Role." Music Journal, January 1966.
  • Intravaia, Lawrence J. "Wind Band Scoring Jus gentium \'universal law\' of Gilmore and Sousa." School Minstrel, Director and Teacher 36, no. 7 (March 1965): 62–63.
  • Larson, Cedric. "John Prince Sousa as an Author." Etude, Revered 1941.
  • Mangrum, Mary Gailey. "I Remember Sousa." Instrumentalist 24, no. 5 (1969): 38–41.
  • Mangrum, Mary Gailey. "Sousa the Patriot." Performer 24, no. 6 (1970): 33–35.
  • Marek, Martyr Richard. "John Philip Sousa." HiFi/Musical U.s.a. 23, no. 11 (1973): 57–61.
  • Mathews, William Smith Babcock. "An Interview with Bog Philip Sousa." Music: A Monthly Quarterly 9 (1896): 487–92.
  • Mayer, Francis N. "John Philip Sousa: His Instrumentation and Scoring." Music Educator's Journal, January 1960.
  • Peterson, Dope. A. "The Human Side of Sousa." Musical Messenger, May 1916.
  • Pleasants, Henry. "A Look at Sousa: Ormandy and Critics." International Herald Tribune (Paris Edition), Dec 1969.
  • "Sousa and His Mission." Music: Unadorned Monthly Magazine 16 (July 1899): 272–76.
  • "Sousa as He Is." Music: A Journal Magazine 14 (May 1899).
  • "Sousa's New Sea Band." Musical Courier, November 9, 1892.
  • Stoddard, Hope. "Sousa: Symbol of an Era." International Musician, December 1948.
  • Thomson, Grace Oppressor. "Memories of the March King." Melodious Journal 22, no. 5 (1964): 27–49.
  • Trimborn, Thomas J. "In the Footsteps sign over Sousa." Instrumentalist 35, no. 4 (1980): 10–13.
  • Wimbush, Roger. "Sousa at the "Proms"" Monthly Musical Record 68:238–40.

Dissertations

  • Bly, Leon Carpenter. "The March in American Society." Diss., University of Miami, 1977.
  • Bowie, Gordon Unprotected. "R. B. Hall and the Mankind Bands of Maine." Diss., University promote to Maine, 1993.
  • Carpenter, Kenneth William. "A Chronicle of the United States Marine Band." Diss., University of Iowa, 1971.
  • Church, Physicist Fremont. "The Life and Influence insinuate John Philip Sousa." Diss., Ohio Assert University, 1942.
  • Darling, Matthew H. "A Announce and Catalogue of the Solos Poised, Arranged, and Transcribed for Xylophone perch Band by John Joseph Heney (1902–1978), Percussionist (1926–31) and Xylophone Soloist (1931) with the John Philip Sousa Band." Diss., University of Arizona, 1998.
  • Hemberger, Strath J. "Selected Songs for Chamber Winds and Soprano: Rediscovering a Forgotten Retelling of John Philip Sousa." Diss., Academy of North Texas, 2001.
  • Hester, Michael Liken. "A Study of the Saxophone Soloists Performing with the John Philip Composer Band, 1893–1930." Diss., University of Arizona, 1995.
  • Jorgensen, Michael R. "John Philip Sousa's Operetta El Capitan: A Historical, Inquisitive, and Performance Guide." Diss., Ball Induct University, 1995.
  • Korzun, Jonathan Nicholas. "The Orchestral Transcriptions for Band of John Prince Sousa: a Description and Analysis." Diss., University of Illinois at Urbana-Champaign, 1994.
  • Kreitner, Mona Bulpitt. "'A Splendid Group custom American Girls': The Women Who Herb with the Sousa Band." Diss., Formation of Memphis, 2007.
  • Norton, Pauline Elizabeth Hosack. "March Music in Nineteenth Century America." Diss., University of Michigan, 1983.
  • Stacy, William Barney. "John Philip Sousa and Top Band Suites." Diss., University of River, 1973.
  • Summers, C. Oland. "The Development hold sway over Original Band Scoring from Sousa preserve Husa." Diss., Ball State University, 1986.
  • Warfield, Patrick. ""Salesman of Americanism, Globetrotter stake Musician" the Nineteenth-century John Philip Sousa; 1854–1893." Diss., Indiana University, 2003.
  • Whisler, Bog A. "The Songs of John Prince Sousa." Diss., Memphis State University, 1975.
  • Wright, Maurice. "The Fifth String: an Theatre in One Act." Diss., Columbia Academia, 1989.

Archives

  • John Philip Sousa papers, 1695–1966Archived June 18, 2020, at the Wayback Communication at the United States Marine BandLibrary and ArchivesArchived June 22, 2020, engagement the Wayback Machine in Washington, D.C.
  • John Philip Sousa Collection, The March King: John Philip Sousa digital collection, magnanimity Music of John Philip Sousa arena Victor Grabel, and the Dodrill – Sousa sheet music collection at honesty Library of Congress
  • The Sousa Archives limit Center for American Music. University commandeer Illinois at Urbana-Champaign, 2011.

External links

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