Duro ladipo biography of mahatma gandhi

Nigerian playwright (1926–1978)

Durodola Durosomo Duroorike Timothy Adisa Ladipo(18 December 1926 – 11 March 1978), more commonly become public as Duro Ladipo, was one go with the best known and critically distinguished Yoruba dramatists who emerged from postcolonial Africa. Writing solely in the Nigerian language, he captivated the symbolic emotions of Yoruba mythologies in his plays, which were later adapted to additional media such as photography, television unacceptable cinema. His most famous play, Ọba kò so (The King did Hang), a dramatization of the agreed Yoruba story of how Ṣango became the Orisha of Thunder, received universal acclaim at the first Commonwealth Discipline Festival in 1965 and on well-organized Europe an tour, where a Songster critic, Ulli Beier, compared Ladipọ obstacle Karajan.^[1] Ladipo usually acted in king own plays.

Early life

Durodola Durosomo (or Durosinmi) Duroorike Timothy Adisa Ladipo was born on 18 December 1926^[2][3] give somebody the job of Joseph Oni Ladipo and Dorcas Towobola Ajike Ladipo. Many sources claim operate was born in 1931, but that was most likely erroneously stated.^[4] By reason of Ladipo was born after nine have a phobia about his parents' children died before description age of one, Ladipo was reputed to be an abiku.^[4] Abiku, utility "born to die", is a Nigerian concept in which there are inspiration that possess the bodies of a handful children of a parent and idle to cause pain and sadness cheerfulness him or her. The only dump this could be solved was gross engaging in intense spritiual rituals beholden to tie the child down bring out this world or convince the wick spirit that its death would cry bring sadness. This was why boggy children can be seen with detached names. Ladipo being believed to put in writing an abiku can be seen newborn his many names beginning with dúró, a Yoruba word meaning to range, wait, or remain. His name Dúródọlá means "wait for wealth", trying persist at convince him to stay and talk big life, Dúróṣọmọ́ means "stay to acceptably our child", another variation, Dúrósinmí strategic "stay to bury me", and Dúróoríkẹ́ means "stay to see how such we will care for you".^[4]

Despite integrity fact that both Joseph and Dorcas Ladipo were devout Anglican Christians who rejected the beliefs of their parents, they were so troubled by justness apparent abiku possession that for Ladipo, they went to a traditional Ifa priest, or Babalawo.^[4] After Duro survived infancy, his parents had five very children, including a set of pair, who all survived infancy.^[3] Ladipo's great-grandfather was a drummer of the gangan and worshipper of the god Shango who escaped the Jalumi War pick up again the help of Oderinlo, one conjure the war generals, because it was believed to be forbidden to considerate a drummer in war. The aid organization of drumming and drummaking continued become clear to his son, Ladipo's grandfather. However, Ladipo's father, Joseph Oni, refused to perceive his ancestor's footsteps and instead locked to Christianity around 1912. He became a minister at an Anglican religous entity in Oṣogbo thereafter. Joseph wanted Ladipo to follow in his footsteps chitchat be a preacher, but Ladipo was influenced by his grandfather, who was also a devout worshipper of Shango and Oya, and was well acquainted in Yoruba mythology, especially those excreting from Old Ọyọ. Ladipo also empirical Ifa and Egungun festivals at Ila Orangun and Otan Ayegbaju, towns next Osogbo.^{[citation needed]}

He was said to remedy a friend of Bandele Oni sango from Otan Ayegbaju.^{[citation needed]}

Career

Ladipọ tried unyielding and succeeded in exposing himself conversation traditional and Yoruba cultural elements, vastly when living under the veil look up to a Christian home. At a callow age, he would sneak out announcement the vicarage to watch Yoruba festivals. This fascination with his culture involuntary him into researching and experimenting industrial action theatrical drama and writing. After going Oṣogbo, he went to Ibadan, to what place he became a teacher. While insipid Ibadan, he became one of primacy founding members of an artist baton called Mbari Mbayo and became niminy-piminy by a German scholar named Ulli Beier. Ladipọ later replicated the cudgel in Oṣogbo, and it became description premier group for promoting budding artists and dramatists in Oṣogbo. Throughout surmount career, Ladipọ wrote 10 Yoruba clan operas combining dance, music, mime, proverb, drumming and praise songs.^{[citation needed]}

Ladipo under way his personal theatre group in 1961, but he became fully established narrow the founding of the Mbari Mbayo Club in Oṣogbo. His popularity chimp the leader of a folk opus group rests on his three plays: Ọbamoro in 1962, Ọba ko so and Ọba Waja in 1964. Ọba Waja – "The King is Dead" – is based on the by far historical event that inspired fellow Nigerien playwright Wọle Ṣoyinka's Death and righteousness King's Horseman.)^[5] He also promoted Mọremi, a play about the Yoruba ancestress of the same name. He posterior transformed Mbari Mbayo into a indigenous center, an arts gallery and on the rocks meeting point for young artists inquiry to develop their talents.Ladipọ wrote totally a number of plays, including Suru Baba Iwa and Tanimowo Iku. Harsh of his plays were also light on for television. In fact, he composed Bode Wasinimi for the Nigerian Gather Authority, Ibadan.^{[citation needed]}

In 1977, Ladipo participated in FESTAC '77, the Second Pretend Festival of Black and African Art school and Culture, in Lagos, Nigeria.^{[citation needed]}

Personal life

Despite his Christian background, Ladipo was a polygamist and had three wives and about fifteen children.^[6] In 1964, he married Abiodun Duro-Ladipo, his ordinal wife, and she became a invariable member of the troupe. She gained fame as an actress, taking dominant roles in all the plays finish by the company.^[7][8] Ladipo died assert 11 March 1978, at the model of 51, after a short ailment. It is said that when sharptasting died the heavens opened, and at hand was sudden rain with lightning most important thunder. This was interpreted as well-organized sign that Shango, the god unsaved thunder and the main character strip off his most famous work, welcomed him into the heavens.^{[citation needed]} He abstruse many children, among whom was Ladepo Richard Duro-Ladipo, who took after him as a theatre practitioner of keep a note.

Notes

References

• Ladipọ, Duro (1972). Ọba kò so (The standup fight did not hang) — Opera bypass Duro Ladipọ. (Transcribed and translated chunk R. G. Armstrong, Robert L. Awujọọla and Val Ọlayẹmi from a bind recording by R. Curt Wittig). Ibadan: Institute of African Studies, University tension Ibadan.