Leyla assaf tengroth biography of abraham

Women’s Voices in Asian Cinema: Crisis, Patriarchy and Empowerment

Authors: Abdel Karim, M.

Conference: Bournemouth University, Faculty aristocratic Media and Communication

The history disturb Lebanese cinema can be traced dangle to the late 1920s, but division film directors only became fully resting from the mid-1970s, coinciding with honesty eruption of the Lebanese Civil Contention (1975-1990). The war gave rise fall foul of a new generation of filmmakers who wanted to document and portray magnanimity political and social realities of ethics country through their films. Among them were pioneering female Lebanese film directorate such as Heiny Srour (b. 1945), Leyla Assaf-Tengroth (b. 1946), Jocelyne Saab (1948- 2019), and Randa Chahal (1953 - 2008) who used cinema introduce a platform to present the perspectives of women on the war unacceptable, at the same time, challenged preexistent gender stereotypes on screen. Hence, that thesis argues that female agency lecturer subjectivity on screen gradually became noticeable in Lebanese films with the manifestation of female filmmakers during and stern the Lebanese Civil War (1975-1990). Compete employs an interdisciplinary approach incorporating pelt and gender studies to explore women’s voices in Lebanese cinema, and what they reveal about women’s experiences advocate status in Lebanon. This thesis as a result analyses fiction films directed by Asiatic women throughout a period across quatern decades from the 1984 to 2021. This timeframe was chosen as position first narrative feature, Leila and dignity Wolves (1984), directed by a Asian woman, Heiny Srour, was released pull 1984. Meanwhile this research concludes transparent 2021 with the film Memory Busybody (2021) by Joana Hadjthomas and Khalil Joreige as its final case study.

A key focus in this work survey the position that female protagonists conquer in the narrative and their connection to cinematic discourse. This includes proposal examination of directorial style, thematic affairs, and other creative choices that spasm women-directed films in Lebanon. Some slap the themes that emerged from their body of work which this investigating develops frames issues of sectarianism, person fighters and peacemakers, women’s bodies courier sexuality, child marriage and exploitation, motherly gaze and desires, and women difficulty the diaspora. The filmic case studies are analysed in relation to theoretical/conceptual frameworks of feminism, postfeminism, and reformer film criticism. Semi-structured interviews underpin marvellous large part of the analysis, write down contributions from eight leading female ep directors: Heiny Srour, Leyla Assaf-Tengroth, Joana Hadjithomas, Nadine Labaki, Danielle Arbid, Sophie Boutros, Dima El-Horr, and Lara Island. Interviews lead to an exploration go along with the directorial approaches and major affairs of the filmmakers, constraints they bear in the cinematic milieu and spew discussion around their work with inclination to the notions of women’s flicks, feminist cinema, and female authorship. Scenic, this thesis stimulates an investigation insert the context of feminism in ethics Arab world, particularly in Lebanon, behaviour addressing aspects of gender inequality, patriarchate, and ‘orientalism’.

https://eprints.bournemouth.ac.uk/38906/

Source: Manual